Tag Archives: Sadler’s Wells

Saloon – Cirque Éloize: Peacock Theatre, London, 5 October 2017

Bar tender is not the night There are a couple of major issues with Cirque Éloize’s newest work, Saloon. The first may not be their fault – the music in The Peacock Theatre was cranked up way too loud for … Continue reading

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Tanguera: Sadler’s Wells, 21 July 2017

Fight night Most tango shows designed for the theatre operate on a fairly abstract basis. There’s usually an element of sleazy love but essentially they’re a long line of episodic dance sequences with no connection to each other. When you … Continue reading

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ETM: Double Down – Dorrance Dance: Sadler’s Wells, 12 July 2017

Down at heel In some ways, it’s hard to fault Dorrance Dance’s show ETM: Double Down. The achingly hip New York-based tap dance company have seven outstanding tap dancers that provide an inexhaustible supply of beats, rhythm and joie-de-vivre. They’re … Continue reading

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MC 14/22 & Emergence – Scottish Ballet: Sadler’s Wells, London, 10 June 2017

Corps blimey A double-bill of half-naked bodies. Angelin Preljocaj was the first to capitalise on the lack of budget for shirts, putting his 12 men in long black skirts instead. MC 14/22 (Ceci est mon corps) is a bruising piece, … Continue reading

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Emerging Dancer 2017 – English National Ballet: Sadler’s Wells, London, 25 May 2017

It’s an emerge and see Although English National Ballet’s Emerging Dancer 2017 contest ended in a tie between Rina Kanehara and Aitor Arrieta, it wasn’t actually that big a surprise as there was very little to choose between any of … Continue reading

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The Toad Knew – James Thierrée / Compagnie du Hanneton: Sadler’s Wells, London, 3 May 2017

Wind but no willows There are lots of good things in James Thierrée / Compagnie du Hanneton’s delirious The Toad Knew, yet, despite an excellent cast and some great visuals, it somehow struggles to maintain interest levels. Set in a … Continue reading

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Bausch/Forsythe/van Manen – English National Ballet: Sadler’s Wells, London, 23 March 2017

Pina Will Hans Finally, after gawd knows how long, I finally got to see Pina Bausch’s soil-strewn The Rite of Spring. Not by Tanztheater Wuppertal but, unthinkable as it would have seemed just a few years ago, by English National … Continue reading

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