Category Archives: Sadler’s Wells

Mám – Michael Keegan-Dolan: Sadler’s Wells, 5 February 2020

Feeling sheepish Michael Keegan-Dolan and his company Teaċ Daṁsa (House of Dance) shot to fame with their debut production – Loch na hEala, a fresh take on Swan Lake. Mám is their follow-up and although it got a pretty universal … Continue reading

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Giselle – Birmingham Royal Ballet: Sadler’s Wells, 1 November 2019

Wili or won’t he? Galina Samsova and David Bintley’s 1999 Giselle is as traditional as they come – in fact, it’s more traditional than most, even to the point of restoring music from the original 1841 production (a perfectly pleasant … Continue reading

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Triple Bill – Birmingham Royal Ballet: Sadler’s Wells, 29 October 2019

Nein, Sinatra Songs As ballet triple bills go, Birmingham Royal Ballet’s latest was as diverse as they come. The night opened with a brand new piece, Jack Lister’s A Brief Nostalgia, and closed with Twyla Tharp’s ballroom-lite Nine Sinatra Songs, … Continue reading

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Hobson’s Choice – Birmingham Royal Ballet: Sadler’s Wells, 29 June 2019

A Proper Gentleman This was the last performance of David Bintley’s 24-year long directorship of Birmingham Royal Ballet [BRB] and it was held not in Birmingham but in London’s Sadler’s Wells, the Company’s abode in a previous guise. At the … Continue reading

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[Un]leashed – Birmingham Royal Ballet: 25 June 2019, Sadler’s Wells

Wolfing it up [Un]leashed constitutes the first part of David Bintley’s last foray to Sadler’s Wells as director of Birmingham Royal Ballet (his Full-length Hobson’s Choice comes later in the week) and it features a trio of works all by … Continue reading

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Layla and Majnun – Mark Morris Dance Group, Silkroad Ensemble: Sadler’s Wells, 13 November 2018

Layla, Layla, wherefore art thou Layla? Layla and Majnun is a centuries old Middle-Eastern love story common to cultures across ethnic and religious divides. The two eponymous characters love each other but Layla’s parents disapprove of Majnun and force their … Continue reading

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The Emperor and the Concubine – China National Peking Opera Company: Sadler’s Wells, 20 October 2018

It’s opera Jim, but not as we know it You have to love bright, bright colours to enjoy Chinese opera. The costumes and staging dazzle with the stuff, and that’s not to mention the sparkle of the women’s remarkable headdresses. … Continue reading

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