-
Recent Posts
- The Sleeping Beauty – Birmingham Royal Ballet: Sadler’s Wells, London, 24 April 2024
- Mary Skeaping’s Giselle – English National Ballet: London Coliseum, 11 January 2024
- Swan Lake – English National Ballet: London Coliseum, 12 January 2023
- Nureyev: Legend & Legacy: Theatre Royal Drury Lane, London, 5 September 2022
- Don Quixote – Birmingham Royal Ballet: Sadler’s Wells, 6 July 2022
Recent Comments
Archives
- April 2024
- January 2024
- January 2023
- September 2022
- July 2022
- April 2021
- March 2021
- February 2021
- January 2021
- December 2020
- November 2020
- September 2020
- July 2020
- June 2020
- May 2020
- April 2020
- February 2020
- January 2020
- December 2019
- November 2019
- October 2019
- July 2019
- June 2019
- April 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- June 2018
- May 2018
- April 2018
- March 2018
- January 2018
- December 2017
- November 2017
- October 2017
- August 2017
- July 2017
- June 2017
- May 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- August 2016
- July 2016
- June 2016
- May 2016
- April 2016
- January 2016
- November 2015
- October 2015
- August 2015
- July 2015
- June 2015
- April 2015
- March 2015
- January 2015
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- July 2013
- June 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
Categories
- Aakash Odedra
- Abay Kazakh State Academic Opera and Ballet Theatre
- ABT
- Agony & Ecstasy
- Akram Khan
- Alesandra Seutin
- Alexander Ekman
- Alexander Vantournhout
- Alice
- Alice in Wonderland
- Alina Cojocaru
- Alvin Ailey
- Andris Liepa
- Angelin Preljocaj
- Anne Teresa De Keersmaeker
- Arielle Smith
- Armitage Gone! Dance
- Arthur Pita
- artsdepot
- Ashanti Gala 2011
- Ashley Page
- Aszure Barton
- Aterballetto
- Atoms for Peace
- August Bournonville
- Australian Ballet
- BabaFish
- Balanchine
- Bale de Rua
- Ballet Black
- Ballet British Columbia
- Ballet in Focus
- Ballet National de Marseille
- Ballet Preljocaj
- Ballet Theatre UK
- BalletBoyz
- Barbican
- Bare Bones
- Batsheva Ensemble
- BBC
- BBC Arts – Culture in Quarantine
- Beijing Dance Theater
- Benjamin Millipied
- Berlin State Ballet
- Bern:Ballett
- Bernie Grant Arts Centre
- Betty Nansen Teatret
- Birmingham Hippodrome
- Birmingham Royal Ballet
- Black Swan
- Blanca Li Dance Company
- Blue Boy Entertainment
- Bob Lockyer
- Bolshoi Ballet
- Boston Ballet
- Botis Seva
- Boy Blue
- Breakin' Convention
- Bride and the Bachelors
- Bride and the Bachelors
- Bristol Hippodrome
- Camden Roundhouse
- Candoco
- Cantina
- Carlos Acosta
- Cathy Marston
- Cedar Lake Contemporary Ballet
- Celine Gittens
- Charleroi Danses
- China National Peking Opera Company
- Christian Rizzo
- Christopher Hampson
- Christopher Wheeldon
- Cinderella
- Circa
- Cirque Eloize
- Cleopatra
- Cmpanhia de Danca Deborah Colker
- Colin Jones
- Companhia de Dança Deborah Colker
- Conferences
- Corey Baker
- Crystal Pite
- Dance Uk
- Daria Klimentova
- Darren Ellis Dance
- Darren Johnston
- David Bintley
- David Nixon
- Denis Rodkin
- Dewey Dell
- Diana Vishneva
- Didy Veldman
- DNB Junior Company
- Dorrance Dance
- Dutch National Ballet
- DVD
- DVD Reviews
- Earthfall
- Edouard Lock
- Eifman Ballet
- Elena Glurdjidze
- Emily Molnar
- English National Ballet
- Erina Takahashi
- Exhibition Reviews
- Exposure: Dance
- Far From the Norm
- Film Reviews
- Flames of Paris
- Frederick Ashton
- Fuerzabruta
- German Cornejo
- Giants Are Small
- Giselle
- Graeme Murphy
- Hagit Yakira Dance
- Hans van Manen
- Helgi Tomasson
- Hofesh Shechter
- Hong Kong Ballet
- Hong Kong Dance Company
- Hossam & Serena Ramzy
- Hubert Essakow
- Humanhood
- Inala
- Interview
- Irina Kolesnikova
- Isaac Hernandez
- Itzik Galili
- Ivan Putrov
- Ivan Vasiliev
- Ivan Vasiliev & Natalia Osipova
- Jacksons Lane
- Jakop Ahlbom Company
- James Cousins
- James Thierree
- Jan Martens
- Javier De Frutos
- Jean-Christophe Maillot
- Jiri Kylian
- John Neumeier
- Jorma Elo
- Jose Limon
- Joseph Caley
- Juan Martin
- junk ensemble
- Junor Souza
- Karole Armitage
- Kenneth MacMillan
- Kenneth Tindall
- Kenton Theatre
- Kings of the Dance
- Ksenia Ovsyanick
- LA Dance Project
- La Fille mal gardee
- La La La Human Steps
- Laban Theatre
- Laurencia
- Lauretta Summerscales
- LDIF20
- Le Corsaire
- Leandre
- Les Ballets de Monte Carlo
- Les Saisons Russes
- Les Saisons Russes du XXIe Siecle
- Liam Scarlett
- Linbury Theatre
- Livestream
- London Coliseum
- London Mime Festival
- Lucy Carter
- Marcelo Gomes
- Mariinsky Ballet
- Mark Baldwin
- Mark Morris
- Mark Morris Dance Group
- Martin Lawrance
- Mats Ek
- Matsena Productions
- Matthew Bourne
- Merce Cunningham
- Merchants of Bollywood
- Michael Clark
- Michael Clark Company
- Michael Corder
- Michael Hulls
- Michael Keegan-Dolan
- Michaela DePrince
- Mike Baldwin
- Mikhailovsky Ballet
- Moscow City Ballet
- Musicals
- Nacho Duato
- Natalia Osipova
- National Ballet of Canada
- National Ballet of China
- New English Ballet Theatre
- New Wimbledon Theatre
- Newspaper Reviews
- NIDMS
- Nijinsky
- Nitin Sawhney
- Northern Ballet
- Nuno Silva
- Nutcracker
- Ohad Naharin
- Online
- Oona Doherty
- Osiel Gouneo
- Patrick de Bana
- Peacock Theatre
- Peeping Tom
- Pet Shop Boys
- Peter Schaufuss
- Phoenix Dance Theatre
- Pina
- Pina Bausch
- Pontus Lidberg
- Project Sau.te
- Quarantine Project
- Queensland Ballet
- Radiohead
- Rambert Dance Company
- Random Dance
- Rich Mix
- Richard Alston Dance Company
- Robert Helpmann
- Roberto Bolle
- Roland Petit
- Romeo & Juliet
- Rosas
- Royal Albert Hall
- Royal Ballet
- Royal Ballet Flanders
- Royal Danish Ballet
- Royal Festival Hall
- Royal New Zealand Ballet
- Royal Opera House
- Rudolf Nureyev
- Russell Maliphant
- Russian State Ballet of Siberia
- Ruth Brill
- Sacekripa
- Sadler's Wells
- San Francisco Ballet
- Sanjukta Sinha
- Sanjukta Wagh
- Sasha Waltz
- Scottish Ballet
- Sergei Polunin
- Shanghai Ballet
- Sharon Eyal
- Shobana Jeyasingh
- Sidi Larbi Cherkaoui
- Siobhan Davies
- Sisters Grimm
- Sleeping Beauty
- Southbank
- St James Theatre
- St Petersburg Ballet Theatre
- Stereoptik
- Stina Quagebeur
- Svetlana Linkina
- Svetlana Zakharova
- Swan Lake
- Sylvie Guillem
- Tamara Rojo
- Tango Fire
- Tanztheater Wuppertal
- Tero Saarinen Company
- The 7 Fingers
- The Featherstonehaughs
- The Place
- The Place Prize
- The Print Room
- The Space
- The Talent
- The Talent 2013
- Theatre Royal Drury Lane
- Thom Yorke
- Tom Dale Company
- Trajal Harrell
- TV Reviews
- Twyla Tharp
- Umanoove
- Uncategorized
- Vadim Muntagirov
- Vienna Festival Ballet
- Vincent Dance Theatre
- Wayne Eagling
- Wayne McGregor
- West Side Story
- William Forsythe
- World Cities 2012
- Xander Parish
- Yamato
- Yonah Acosta
- Yorkshire Ballet Summer School
- Yuri Possokhov
- Zeynep Dagli
Meta
Category Archives: Pina Bausch
Bausch/Forsythe/van Manen – English National Ballet: Sadler’s Wells, London, 23 March 2017
Pina Will Hans Finally, after gawd knows how long, I finally got to see Pina Bausch’s soil-strewn The Rite of Spring. Not by Tanztheater Wuppertal but, unthinkable as it would have seemed just a few years ago, by English National … Continue reading
Posted in English National Ballet, Hans van Manen, Pina Bausch, Sadler's Wells, William Forsythe
Tagged Adagio Hammerklavier, Cesar Corrales, English National Ballet, Hans van Manen, In the Middle Somewhat Elevated, Pina Bausch, Precious Adams, review, Rite of Spring, Sadler's Wells, Tamara Rojo, William Forsythe
Leave a comment
Vollmond (Full Moon) – Tanztheater Wuppertal Pina Bausch: Sadler’s Wells, 23 February 2013
My eyes see dreams One of Pina Bausch’s final creations Vollmond (Full Moon) shows how her career went from The Rite of Spring to the joys of Spring. Everybody’s kissing in Vollmond, either leaping onto chairs to smooch their beloved … Continue reading
Two Cigarettes in the Dark – Tanztheater Wuppertal Pina Bausch: Sadler’s Wells, 17 February 2013
Franco, where’s my socks? Coming as it does from roughly the middle of Pina Bausch’s choreographic career Two Cigarettes in the Dark subtly reflects how Bausch’s output changed over the course of her time at the helm of Tanztheater Wuppertal … Continue reading
Wiesenland (World Cities 2012) – Tanztheater Wuppertal Pina Bausch: Sadler’s Wells, London, 9 July 2012
Lovely, simply lovely After thirty-four days of wonder, mayhem and delight, Tanztheater Wuppertal Pina Bausch’s World Cities 2012 finally called a halt at the rather amorous Budapest. As a conclusion to a series Wiesenland was understated, lacking much of Bausch’s … Continue reading
Posted in Pina, Pina Bausch, Sadler's Wells, World Cities 2012
Tagged Pina Bausch, review, Sadler's Wells, Tanztheater Wuppertal, Wiesenland, World Cities 2012
Leave a comment
Palermo Palermo (World Cities 2012) – Tanztheater Wuppertal Pina Bausch: Sadler’s Wells, London, 2 July 2012
Jump, jump, jump. And he did From the moment the show opened with the concrete breeze block wall crashing to the floor, Palermo Palermo was always on the verge of being out of control. Women tottered in their heels over … Continue reading
Nefes (World Cities 2012) – Tanztheater Wuppertal Pina Bausch: Sadler’s Wells, London, 24 June 2012
They cook so well, it’s unbelievable Istanbul has turned in the best of World Cities 2012 so far. Tinged with melancholy and littered with excellent music Nefés was full of the most incredible imagery: A line of abstracted women are … Continue reading
Der Fensterputzer (World Cities 2012) – Tanztheater Wuppertal Pina Bausch: Sadler’s Wells, London, 19 June 2012
I love this music, it so beautiful Apart from the sandpaper-voiced Mechthild Großmann who was having devastatingly sad problems with her lack of domestic exercises, Tanztheater Wuppertal Pina Bausch seemed a happier bunch in Hong Kong than in some of … Continue reading
Dancing Review 